Drácula y la crítica literaria especializada en lengua inglesa (1972-2017)

  1. Lillo Barceló, Alejandro 1
  1. 1 Universitat de València
    info

    Universitat de València

    Valencia, España

    ROR https://ror.org/043nxc105

Revue:
Brumal. Revista de Investigación sobre lo Fantástico / Brumal. Research Journal on the Fantastic
  1. Roas, David (coord.)

ISSN: 2014-7910

Année de publication: 2018

Titre de la publication: Horror and the Fantastic

Volumen: 6

Número: 2

Pages: 367-389

Type: Article

DOI: 10.5565/REV/BRUMAL.458 DIALNET GOOGLE SCHOLAR lock_openAccès ouvert editor

D'autres publications dans: Brumal. Revista de Investigación sobre lo Fantástico / Brumal. Research Journal on the Fantastic

Objectifs de Développement Durable

Résumé

The present article strives to analyse, in a necessarily synthetic way, the main interpretive currents that have led to the study of Dracula, the novel published by Bram Stoker in 1897. The objective is to better capture what academic interests this novel has generated and how it has gone from being considered a mediocre product to becoming a classic of contemporary literature. Beginning in the seventies, I will expose the evolution of the critique and its most important contributions, focusing on those works that have represented a turning point in the studies on the novel. I hope to complete a broad enough overview of the evolution and state of research around Dracula.

Références bibliographiques

  • ALDANA REYES, Xavier (2018): «Dracula Queered», en Roger Luckhurst (ed.), The Cambridge Companion to Dracula, Cambridge University Press, Cambridge, Nueva York, pp. 125-135.
  • ARATA, Stephen D. (1990): «The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization», Victorian Studies, vol. 33 (Summer), pp. 621-645.
  • ASMUDSSON, Valdimar (2017): Powers of Darkness: The Lost Version of Dracula, The Overlook Press, London, Nueva York.
  • AUERBACH, Nina (1995): Our Vampires, Ourselves, The University of Chicago Press, Chicago y Londres.
  • AUERBACH, Nina y David J. SKAL(1997): Dracula, W.W. Norton & Company, Nueva York, Londres.
  • BALLESTEROS GONZÁLEZ, Antonio (1998): Narciso y el doble en la literatura fantástica victoriana, Ediciones de la Universidad de Castilla-La Mancha, Cuenca.
  • BALLESTEROS GONZÁLEZ, Antonio (2000): ‘Vampire Chronicle’: Historia natural del vampiro en la literatura anglosajona, UnaLuna, Zaragoza.
  • BENTLEY, Christopher F. (1972): «The Monster in the Bedroom: Sexual Symbolism in Bram Stoker’s Dracula», en Margaret L. Carter (ed.), The Vampire and the Critics, UMI Research Press, Ann Arbor, Londres, 1988, pp. 25-34 [El artículo apareció por primera vez en la revista Literature and Psychology, 22 (1972), pp. 27-34]
  • BERNI, Simone (2016): Dracula by Bram Stoker. The Mistery of the Early Editions, Biblohaus, Macerata.
  • BIERMAN, Joseph S. (1972): «Dracula: Prolongued Childhood Illness, and the Oral Triad», American Imago, 29:2, pp. 186-198.
  • BLINDERMAN, Charles S. (1980): «Vampurella: Darwin and Count Dracula», The Massachusetts Review, vol. 21, núm. 2 (Summer), pp. 411-428.
  • BOONE, Troy (1993): «“He is English and Therefore Adventurous”: Politics, Decadence, and Dracula», Studies in the Novel, 25 (Spring), pp. 76-91.
  • BYRON, Glennis (1999): «Introduction», en Glennis Byron (ed.), Dracula. New Casebooks, Macmillan, Basingstoke, Nueva York, pp. 1-21.
  • COUNDOURIOTIS, Eleni (1999/2000): «Dracula and the Idea of Europe», Connotations, 9/2, pp. 143-159.
  • CRAFT, Christopher (1984): «“Kiss Me with Those Red Lips”: Gender and Inversion in Bram Stoker’s Dracula», Representations, vol. 8, pp. 107-133.
  • DE ROOS, Hans Corneel (2017): «The Origin of the First Dracula Adaptation», Bulletin of the Transilvania. Series IV: Philology and Cultural Studies, vol. 10 (59), núm. 1, pp. 131-146.
  • FONTANA, Ernest (1984): «Lombroso’s Criminal Man and Stoker’s Dracula», Victorian Newsletter, 66 (Fall), pp. 25-27.
  • FREUD, Sigmund (1967): Totem y tabú, Alianza, Madrid.
  • GELDER, Ken (1994): Reading the Vampire, Routledge, Londres y Nueva York.
  • GLOVER, David (1996): Vampires, Mummies and Liberals. Bram Stoker and the Politics of Popular Fiction, Duke University Press, Durham y Londres.
  • HOLTE, James Craig (2004): «A Clutch of Vampires: or, An Examination of the Contemporary Dracula Texts», Journal of Dracula Studies, núm. 6. Disponible en (Consultado el 17-03-2018).
  • HOWES, Marjorie (1988): «The Mediation of the Feminine: Bisexuality, Homoerotic Desire, and Self-Expression in Bram Stoker’s Dracula», Texas Studies in Literature and Language, 30 (Spring), pp. 104-119.
  • HUGHES, William (2009): Bram Stoker. Dracula. A Reader’s Guide to Essential Criticism, Palgrave MacMillan, London.
  • JOHNSON, Alan P. (1987): «Bent and Broken Necks: Signs of Design in Stoker’s Dracula», Victorian Newsletter, 72, pp. 17-24.
  • KLINGER, Leslie S. (2012): «Sexo, mentiras y sangre. Drácula en el mundo académico», en Bram Stoker, Drácula anotado, editado con prefacio y notas de Leslie S. Klinger, Akal, Madrid, pp. 555-564
  • KOSTOVA, Ludmilla (2007): «Straining the Limits of Interpretation: Bram Stoker’s Dracula and Its Eastern European Contexts», en John S. Back (ed.), Post/modern Dracula. From Victorian Themes to Postmodern Praxis, Cambridge Scholars Publishing, Newcastle, pp. 13-29.
  • LUCKHURST, Roger (2017): The Cambridge Companion to Dracula, Cambridge University Press, Cambridge, Nueva York.
  • MCNALLY, Raymond y FLORESCU, Radu (1972): In Search of Dracula, Houghton Mifflin Company, Boston, Nueva York.
  • MCWHIR, Anne (1987): «Pollution and Redemption in Dracula», Modern Language Studies, 17, pp. 31-40.
  • MELTON, Gordon J. y HORNICK, Alisa (comps.) (2015): The Vampire in Folklore, History, Literature, Film and Television: A Comprehensive Bibliography, McFarland & Company, Jefferson, North Carolina.
  • MILLER, Elizabeth (2000): Dracula: Sense and Nonsense, Desert Island Books, Westcliff-on-Sea.
  • MILLER, Elizabeth (2006): «Coitus Interruptus: Sex, Bram Stoker, and Dracula», Romanticism on the Net, núm. 44. Disponible en < https://www.erudit.org/en/journals/ron/2006-n44-ron1433/014002ar/> (Consultado el 17-03-2018).
  • MILLER, Elizabeth (ed.) (2009): Bram Stoker’s Dracula. A Documentary Journey into Vampire Country and the Dracula Phenomenon, Pegasus Books, Nueva York.
  • MORETTI, Franco (1982): «The Dialectic of Fear», New Left Review, 136, 67-85.
  • PALMER, Óscar (2017): «Los poderes de la oscuridad», 6 de octubre de 2017. Disponible en (Consultado el 17-03-2018).
  • RICHARDSON, Maurice (1959): «The Psychoanalysis of Ghost Stories», Twentieth Century, 166, pp. 419-431.
  • RICKARD, John S. (1994): Irishness and (Post)Modernism, Associated University Press, Londres.
  • RIQUELME, John Paul (2002): «A Critical History of Dracula», en Bram Stoker y John Paul Riquelme (ed.), Dracula, Bedford/St. Martin´s, Boston, Nueva York, pp. 409-433.
  • RONAY, Gabriel (1972): The Truth about Dracula, W. H. Allen, Nueva York.
  • ROTH, Phyllis A. (1977): «Suddenly Sexual Women in Bram Stoker´s “Dracula”», en Glennis Byron, Dracula, Palgrave MacMillan, Hampshire, Nueva York, 1999, pp. 30-42.
  • SCHAFFER, Talia (1994): «”A Wilde Desire Took Me”: The Homoerotic History of Dracula», ELH, vol. 61, núm. 2 (Summer), pp. 381-425.
  • SEED, David (1985): «The Narrative Method of Dracula», Nineteenth-Century Fiction, vol. 40, núm. 1, pp. 61-75.
  • SENF, Carol A. (1979): «Dracula: The Unseen Face in the Mirror», The Journal of Narrative Technique, Volume 9 (Fall), pp. 160-170.
  • SENF, Carol A. (1982): «Dracula: Stoker’s Response to the New Woman», Victorian Studies, 26:1 (Autumn), pp. 33-49.
  • SENF, Carol A. (2018): «Dracula and Women», en Roger Luckhurst (ed.): The Cambridge Companion to Dracula, Cambridge Universiy Press, Cambridge, Nueva York, pp. 114-122.
  • SKAL, David J. (2004): Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen, Faber & Faber, Nueva York.
  • SKAL, David J. (2017): Algo en la sangre. La biografía secreta de Bram Stoker, el hombre que escribió Drácula, Es Pop Ediciones, Madrid.
  • SPENCER, Kathleen L. (1992): «Purity and Danger: Dracula, the Urban Gothic, and the Late Victorian Degeneracy Crisis», ELH, vol. 59, núm. 1 (Spring), pp. 197-225.
  • STEVENSON, John Allen (1988): «A Vampire in the Mirror: The Sexuality of Dracula», PMLA, vol. 103, pp. 139-149.
  • STOKER, Bram, y Ali Riza SEYFIOGLU (2017): Dracula in Istambul: The Unauthorized Version of the Gothic Classic, Neon Harbor Entertainment, [s. l.].
  • TWITCHELL, James (1980): «A Psychoanalysis of the Vampire Myth», American Imago, vol. 37 (Spring), pp. 83-92.
  • VALENTE, Joseph (2002): Dracula’s Crypt: Bram Stoker, Irishness and the Question of Blood, University of Illinois Press, Urbana, Chicago y Springfield.
  • WEISSMAN, Judith (1977): «Women as Vampires: Dracula as a Victorian Novel», Midwest Quarterly, vol. 18, pp. 392-405.
  • WELSCH, Camille-Yvette (2009): «A Look at the Critical Reception of Dracula», en Jack Lynch (ed.), Critical Insights: Dracula, Salem Press, Pasadena (CA), pp. 38-54.
  • WILSON, A. N. (1983): Dracula, Oxford University Press, Oxford.
  • WINNE, Catherine (2016): Bram Stoker and the Gothic: Formations and Transformations, Palgrave Macmillan, Nueva York.
  • WINTER, Elizabeth (2010): «All in the Family: A Retrospective Diagnosis of R.M. Renfield in Bram Stoker’s Dracula», Journal of Dracula Studies, 12. Disponible en (Consultado el 17-03-2018).
La source de données: Dialnet