La poesía como lección de historia, Matei Vişniec, «En la mesa con Marx» («La masă cu Marx»)

  1. Angelica Lambru 1
  1. 1 Universitat de València
    info

    Universitat de València

    Valencia, España

    ROR https://ror.org/043nxc105

Journal:
Revista de filología románica

ISSN: 0212-999X 1988-2815

Year of publication: 2016

Issue Title: Reflejos de la Segunda Guerra Mundial en la literatura y las artes II

Issue: 33

Pages: 147-153

Type: Article

DOI: 10.5209/RFRM.55867 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Revista de filología románica

Sustainable development goals

Abstract

After a brief presentation describing the main traits of the literary Romanian exile, this article aims to reveal some aspects of Matei Vişniec’s poetical originality, a Romanian francophone writer who defines himself as a «lucky exiled man». The poem we’ve chosen, «At the table with Marx» («La masă cu Marx»), involves the main line of the book with the same title that was published in Romania in 2011. His explicitly political regard relates him to another text that circulated as an anti-communist manifesto during the previous years of the communist dictature fall: the well-known poem entitled «The sailing ship» («Corabia»). A parable of complicity and colective guiltiness, «At the table with Marx» is a lyrical lesson of history over wrong social choices, that fatally impacted on the whole mankind

Bibliographic References

  • Alden, Natasha (2014): Reading Behind The Lines. Manchester University Press.
  • Barthes, Roland (1981): Camera Lucida: Reflections On Photography. New York: Hill And Wang. Print.
  • Bragg, Melvyn (1999): The Soldier’s Return. Us Edition. New York: Arcade Publishing.
  • Bragg, Melvyn (2001): A Son Of War. 1st Us Edi. New York: Arcade Publishing. Print.
  • Caruth, Cathy (1995): Trauma: Explorations In Memory. Baltimore: Johns Hopkins University Press.
  • Caruth, Cathy (1996): Unclaimed Experience: Trauma, Narrative And History. Baltimore: The Johns Hopkins University Press.
  • Childers, Thomas (2009): Soldier From The War Returning:The Greatest Generation’s Troubled Homecoming From World War Ii. Boston, New York: Houghton Mifflin Harcourt.
  • Crosthwaite, Paul (2009): Trauma, Postmodernism, And The Aftermath Of World War Ii. London: Palgrave Macmillan.
  • Hartman, Geoffrey (1995): «On Traumatic Knowledge And Literary Studies.» New Literary History 26 (3).
  • Hirsch, Marianne (1997): Family Frames: Photography, Narrative And Postmemory. 2nd Ed. Harvard University Press.
  • Martin, Sara (2008): «Odysseus’ Unease : The Postwar Crisis Of Masculinity In Melvyn Bragg’s The Soldier’s Return And A Son Of War.» Odisea 9 (September): 133–44.
  • Mccloughlin, Kate (2011): Authoring War: The Literary Representation Of War From The Iliad To Iraq. Cambridge, Uk: Cambridge University Press.
  • Mcculloh, Mark Richard (2003): Understanding W.G. Sebald. New. 2003. Univ Of South Carolina Press.
  • Rostan, Kimberley (2006): «Reading Traumatically And Representing The Real In Collective Suffering.» College Literature 33 (2): 172–83.
  • Rothberg, Michael (2000): Traumatic Realism: The Demands Of Holocaust Representation. Minneapolis: University Of Minnesota Press.
  • Steward, Kathleen (2007): Ordinary Affects. Duke University Press.
  • Writers Atwarwickarchive (1999): «Melvyn Bragg Interview.» United Kingdom: University Of Warwick. .